886
6.0

山巅的呼唤

导演:
克日什托夫·扎努西
主演:
塔德乌什·布拉德茨基,佐菲亚·姆罗佐夫斯卡,玛尔戈扎塔·扎亚茨夫斯卡,塞扎里·莫拉夫斯基,尤利尤斯·马胡尔斯基,爱德华·泽布罗夫斯基,克里斯蒂娜·比格马杰,莫妮卡·戈兹克
别名:
未知
6.0
886人评分
波兰语
语言
未知
上映时间
未知
片长
简介:
73 年《靈性之光》後贊祿西再以山峰意象,去隱喻人性光輝的不朽國度。Witek 追隨亡父的遺志,夢想著攀登額菲爾士峰,然而面對周遭人心弛緩,日常生活處處是考驗他的人格賤賣場,他的堅持只換來人生挫折感:遭上司嫁禍,同事整治,登山機會被剝奪,母親病逝;他就像被上帝考驗的約伯,厄運無始無終。然而,贊祿西沒有壞人,只有壞處境的冷靜世間描寫,一刻間發覺,你並非在看一齣悲劇,Witek 的坎坷命途,原來已是他的一路攀往。獲康城影展評審團獎。
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8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活