132
7.0

超脱

导演:
托尼·凯耶
主演:
艾德里安·布洛迪,马西娅·盖伊·哈登,詹姆斯·肯恩,克里斯蒂娜·亨德里克斯,刘玉玲,布莱思·丹纳,蒂姆·布雷克·尼尔森,威廉·彼德森,布莱恩·科兰斯顿,萨米·盖尔,路易斯·佐里奇,小伊塞亚·维特洛克,大卫·豪森,约翰·塞纳迭姆博,西莉亚·奥,罗南·鲁宾斯坦,阿尔·卡尔德隆,布雷南·布朗,里根·利奥纳德,詹姆斯·霍西,乔什·帕斯,瑞内·菲利斯·史密斯,道格·伊·道格,帕特里夏·雷,萨曼萨·罗根,拉尔夫·罗德里格斯
别名:
未知
7.0
132人评分
英语
语言
未知
上映时间
未知
片长
简介:
亨利•巴赫特(艾德里安•布洛迪 Adrien Brody 饰)来到社区学校担任代课老师。学校因学生反叛、经营不善而濒临绝境,多丽丝(刘玉玲 饰)为首的一批教师备受煎熬。亨利的第一堂课就遭遇了顽劣学生的挑衅,但是被他巧妙地化解。他赢得了女教师萨沙(克里斯蒂娜•亨德里克斯 Christina Hendricks)的好感。同时,他的教学方式引起了同学们的兴趣,其中就包括因肥胖而苦闷的梅丽迪斯。她一直默默地承受着因体重带来的各种责骂与嘲笑。但是因为老师,她似乎又找到了一切的理由……但是,亨利其实内心也有很大的压力,他的爷爷处于弥留之际,他的母亲自杀阴影始终在脑海中萦绕。某天夜里,他在公车上黯然神伤,独自流泪。这情形被一个刚受到嫖客凌辱的雏妓艾瑞卡(萨米•盖尔 Sami Gayle 饰)看到了。她尾随他,希望获得他的帮助。他起初拒绝了她的要求,后来他还是把她带回了单身公寓…
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马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
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马丁·弗罗斯特的内心生活