772
7.0

毕业旅行:马略卡岛

导演:
帕科·卡瓦列罗
主演:
Itsaso,Alonso,Núria,Arseda,Albert,Ausellé,佩雷·布拉索,Xesc,Cabot,Ángel,Carmona,Iván,Clemente,Joel,Cojal,Litus,Cruces,Eugenia,Cuaresma,Carla,Díez,Francesc,Ferrer,Lara,Gualtieri,Arnau,Guerrero,Jaume,Ibars,Miguel,Iriarte,Gerard,Larrondo,Jordi,Llovet,Bruna,Lucadam
别名:
未知
7.0
772人评分
西班牙语
语言
未知
上映时间
未知
片长
简介:
2021年,经历了一年的封控后,一群学生踏上了前往马略卡岛的毕业旅行。这个完美计划本该弥补失去的时光,带来前所未有的狂欢。然而新冠疫情的突然爆发打乱了所有安排,他们被迫隔离在酒店。50多名学生,一家酒店,仅有的两名老师,以及数不清的迷你酒吧。还能出什么乱子呢?
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534
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正片
马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活