679
1.0

大师2012

导演:
保罗·托马斯·安德森
主演:
华金·菲尼克斯,菲利普·塞默·霍夫曼,艾米·亚当斯,杰夫瑞·W·詹金斯,艾米·弗格森,W·厄尔·布朗,凯蒂·宝蓝德,杰西·普莱蒙,安拜·柴尔德斯,拉米·马雷克,祖舒华·克洛斯,吉莉恩·贝尔,凯文·J·沃尔什,莱娜·恩卓,麦迪逊·贝蒂,凯文·J·奥康纳,帕蒂·麦克马科,吉尔·安德烈,克里斯托弗·埃文·韦尔奇,劳拉·邓恩,巴洛·雅克布斯,菲奥娜·道里夫,贝莉·霍普金斯,Sarah,Klaren,大卫·沃肖夫斯基,金伯莉·埃布尔斯·因德拉,Eban,Schletter,梅洛拉·沃尔特斯,拿破仑·瑞恩,詹妮花·妮
别名:
未知
1.0
679人评分
英语
语言
未知
上映时间
138
片长
简介:
  1949年,太平洋战争已经结束,备受军中无聊生活困扰的弗雷迪·杰奎(华金·菲尼克斯 Joaquin Phoenix 饰)终于返回美国,然而返家前的精神治疗没有给他实际的帮助,弗雷迪陷入了一种恍惚乏味的人生体验无法自拔。次年,在经历了一系列工作失败后,弗雷迪在醉后登上的客 船上结识了经历复杂的“大师”卡斯特(菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰)。卡斯特建立在时间理论之上的精神治疗法引起了弗雷迪的兴趣,在卡斯特的“引诱”下,弗雷迪尝试敞开心扉,寻求解决自己的问题,并越来越亲近卡斯特松散的“缘教”组织,为其摇旗呐喊、打击异议者。在“治疗”过程中,弗雷迪与卡斯特的关系分分合合,愈发复杂……
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马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活