692
10.0

卢博

导演:
乔治奥·迪里蒂
主演:
弗兰茨·罗戈夫斯基,克里斯托弗·塞尔梅特,Noemi,Besedes,瓦伦蒂娜·贝莱,乔尔·巴斯曼,奥利弗·尤伊,Christian,Bianco,Cecilia,Steiner,Filippo,Giulini,Alessandro,Zappella
别名:
未知
10.0
692人评分
意大利语,德语
语言
未知
上映时间
未知
片长
简介:
意大利资深导演乔治奥·迪里蒂继传记片《我想藏起来》入围柏林国际电影节主竞赛单元后,其新作《卢博》又入围威尼斯国际电影节主竞赛单元。影片主人公卢博以街头卖艺为生,他是游牧民族的成员。1939年,卢博加入瑞士军队服兵役保卫边境,但随后他的孩子们却被带走接受国家“再教育计划”,卢博意识到只有找回孩子才能获得真正的平静……影片以漫长的冒险旅程和大量细节揭示了主人公追索自由之艰辛。
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马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活