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3.0|05052025531020707pm25|正片
简介:
没有亲密的性爱镜头 没有缠绵的拥抱和亲吻 只是一群人在诉说残忍被害的同志少年的故事:1998年10月6日,被认为是世外桃源的美国小镇Laramie,发生了一宗骇人听闻的惨案。21岁的Matthew Shepard被两名同样年轻的少年活活打死,只因他是同性恋。五名剧团的青年来到小镇,走访了镇上不同阶层的居民,影片以访谈的形式重现了当年的事件,从事件的源起、案发、救治、葬礼、审判到事件的尾声。这个案子一开始就显出它的不平常,小镇上的居民们无法以“普通的劫案”来自欺欺人。在访谈刚刚开始之时,有人避而不见,也有人避而不谈,他们对访谈怀着质疑和戒慎,一个老妇人(后来我们知道她就是那位女警官的母亲)告诉来访者:他们不想对事件做评论,它与他们没有关系,他们没有参与这个事件,这是小镇居民的普遍态度。是的,他们试图对此表现出一种淡漠,然而这是不可能的,惨案永远地改变了这个小镇。
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马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活
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