545
6.0
正片
激流之恋
6.0
上映时间:04042025430111010pm25
主演:辛迪巴斯比,本杰明霍林斯沃斯,凯特·特瓦
简介:Vesta Technologies 的四个区域办事处均正在制定单独的合同提案,以领导公司新应用程序“HighlightREAL”的推出,玛雅·阿尔瓦罗 (Maya Alvaro) 为位于纽约市的东部办事处负责该项目。那么,公司首席执行官阿莱格拉·亚当斯 (Allegra Adams) 在最后一刻邀请了四个办事处的一名代表前往科罗拉多州落基山脉的公司荒野静修所,而玛雅人选择代表东部,这是否是巧合呢?玛雅的老板玛丽莲不这么认为,因为她确信应该对四位提议者进行逐一审查,作为评估哪个办公室将获得合同的又一项措施。玛丽莲明确表示,如果玛雅获得了东方的合同,她将得到她渴望的晋升到行政职位,这意味着玛雅会在静修会上评估竞争,并在需要时对其他三个人进行一些破坏。玛雅的问题在于,她是一个彻头彻尾的狡猾的城市人,这不会让她在阿莱格拉眼中处于最佳状态。玛雅最担心的是,她了解到激流漂流探险将占据大部分撤退时间,这是他们将应对危险弯道最具挑战性的部分的最后一天。另一个问题是,她发现其他三个人在生活中的成就总体上远远超出了她的感觉,包括在户外活动方面。虽然她发现来自休斯顿维斯塔南的克莱尔和来自芝加哥维斯塔北的路易斯都是真正的好人,但玛雅不喜欢来自洛杉矶维斯塔西的马特,这可以说是她最大的竞争对手。除了试图避免冒险活动和担心最后一天之外,玛雅还对阿莱格拉将四人配对而感到更加恼火,而马特是她的搭档。由于任务的竞争性,玛雅可能会开始以更积极的眼光看待马特,因为他们必须一起工作,这使她处于困境,因为她必须做出决定,以推进自己的职业生涯,反对破坏她的新朋友马特。—哈戈
545
正片
激流之恋
534
8.0
正片
马丁·弗罗斯特的内心生活
8.0
上映时间:06062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活